Ah, here it is. Your weekly-ish fix of in-depth journalism with only the highest standards. Not Spin, or Rolling Stone, or even Pitchfork ask the hard hitting questions like we do here at LiquidGeneration. I mean where else could you find out what type of food Sam Coomes of Quasi compares the band to? And let me tell you, it's definitely not a steak. So sit back, clear your mind of all impure thoughts and be bewildered by the LiquidGeneration e-mail Interview with Quasi. But first, go to this post from Tuesday and download "The Rhino" from their new record When The Going Gets Dark out now on Touch & Go Records. Enjoy!
LIQUIDGENERATION: Have you ever met a celebrity type (be it another musician, actor, producer or whatever) that was just a complete ass for no apparent reason? If so, we would like to give you the opportunity to tell that person what you think of him/her.
QUASI: Ah jeez, I feel like if I just went talking shit about whoever for no good reason, just to be amusing or whatever, then I’d be just the sort of complete ass you’re referring to. I’m not interested in celebrity types anyway. Musicians in general I tend to get along with.
LG: So we hear that one of the key developments to the style of Quasi was the use of a Roxichord. Since we here at the world renowned LiquidGeneration studios only use Casio Keyboards, could you please tell us exactly what a Roxichord is? Oh I can’t resist, is it what Brian Eno plays on For Your Pleasure?
QUASI: I think, if I remember right, Eno more or less just twiddled knobs & made sound on those records, not really keyboard per se. You’re making a play on words. I heard the Dr. John song “Right Place Wrong Time” on the radio the other day, & that has a roxichord going all through it. I run it through a fuzz box when I play it, but I don’t actually use it too much any more.